High-quality delay-based effects

Feature highlights

• High quality, unique signal processing algorithms
  
• Up to 10 seconds of delay time per channel (depending on internal sampling frequency)
  
• Continuous control over the delay time with little harmonic distortion
  
• Cross-channel feedback and independent channel settings with channel link mode
  
• Tape saturation simulation with adjustable gain based on the algorithm used in the line of our mastering processors
  
• Modulation section consisting of LFO and envelope follower mixed in any proportions
  
• 5 click-free LFO waveforms and variable LFO channel phase offset
  
• LP, BP, HP filter with adjustable cutoff and resonance
  
• Flexible filter routing capabilities
  
• Vintage reverberation module for faithful simulation of spring and plate reverb characteristics
  
• Parameter filtration for smooth and click-free operation
  
• Support for sampling rates of up to 192kHz
  
• MIDI and VST automation of all parameters
  
• Logic Control support
  
• Pentium IV optimization
  
• 60 presets for easy start.

Applications:

The PSP 84 is primarily meant for applying to individual tracks within a mix and experimenting with drum and synth loops. The included presets reveal its huge potential in processing vocal, guitar and bass tracks. Though it can be succesfully used for adding classic sounding delay, its capabilities go far beyond that. The PSP 84\'s independent channel settings and cross-channel feedback allow for creating animated delay effects that are more spacial and cut better through the mix than a simple center-panned delay. Resonant filters and a modulation section that synchronizes to the host tempo make it possible to create superb auto-wah-wah effects, warm smoky dub sweeps, evolving ambient textures, as well as to easily shape the wet signal\'s spectral contents. The PSP 84 can create both pristine clean sounding echoes or degenerate the signal to great extent - all depending on your needs -, thanks to the variable internal sampling rate allowing the pitch-twist effects, rich vocal doublers, flangers and unsurpassed detune effects to be achieved. Guitarists that are not satisfied with dry and cold sounding tracks recorded using direct-boxes will appreciate saturation algorithm, great for adding mild overdrive and harmonic contents enrichment. Last but not least, the unique reverberation unit allows for adding space and warmth that most of the digital reverbs lack.

Minimum system requirements:

• Windows 98 or later
  
• VST, DirectX or RTAS compatible host application
  
• 256 MB RAM
  
• Pentium III 600 MHz
  
• High Color S-VGA, 1024x768
  
  
• Panther MacOS X v 10.3.5 or later / Tiger MacOS X 10.4.0 or later
  
• G4 400 Mhz
  
• 512 MB RAM
  
• AudioUnit or VST compatible host application
  
• ProTools TDM 6.4 or later for HTDM and RTAS version only!!!
  
• iLok for HTDM version only!!!
  
• PACE InterLok Mac OSX extenstions 5.2 or later for HTDM only!!!
  
  
• MacOS 8.5
  
• VST or RTAS compatible host application
  
• 256 MB RAM memory settings on MacOS
  
• G3 300 Mhz
  
• High Color S-VGA, 1024x768